Let It Come Down is another step in Pierce's difficult, single-minded creative path. To craft the album's epic sound, Pierce sang the melodies into a Dictaphone, translated them to piano, and then transposed them into orchestral arrangements. This painstaking process results in an album that is equal parts intimate confessions and ambitious soundscapes, yet, despite the lineup changes and its lengthy inception, Let It Come Down doesn't sound radically different from Spiritualized's previous albums, proving for once and all that Pierce is Spiritualized and Spiritualized is Pierce. Instead, it feels like a natural progression from the densely orchestrated space rock of the first three Spiritualized albums, especially on the bleak, bluesy "Out of Sight" and the plaintive "Don't Just Do Something." Sweeping, stratospheric string and brass sections dominate the album, with over 100 musicians surrounding Pierce's frail, desolate vocals on some songs. Indeed, the lushness of the arrangements sometimes overpowers the album's relatively straightforward songwriting, particularly on tracks like "Anything More." While country and gospel influences bring the beautiful "Do It All Over Again" and "Won't Get to Heaven (The State I'm In)" back down to earth.