Over the course of eight years, the Melbourne foursome - bassist Nick Pratt, drummer Daniel Twomey and guitarists Sarah Hardiman and Jensen Tjhung, with each member contributing vocals - have instead amassed one of rock's most exhilarating bodies of work, a concise run of wooly seven-inches and white-knuckle LPs whose legendary live translation has been most accurately described as 'unhinged.'
All this despite their being scattered across multiple continents, with no way of getting to know one another outside of intermittent touring. This year marks the arrival of 'Pain', the first they've written since coming together again semi-permanently in Melbourne, and their appropriately titled first full-length for Sub Pop. (Last October's 'St. Vincent' EP was their proper Sub Pop debut.)
It is a miraculously dissonant, wonderfully immediate display of Deaf Wish at their mightiest, alive with the same wild chemistry and sense of possibility that made their first recordings so vital. With more time together than they've ever had before, they're found themselves confronted with ideal (yet foreign) LP.