A lot changed in the White Stripes' world between Get Behind Me Satan and Icky Thump: Meg White moved to L.A., while Jack White left Detroit for Nashville, married and had a daughter, and formed the Raconteurs, a side project that won so much praise that some fans worried that it meant the end of the Stripes. Those fears were as unfounded as the speculation that White's new hometown meant that the band was going to "go country". On Icky Thump Jack and Meg push the boundaries of their louder side. Darker and slower than most Stripes singles, "Icky Thump" is their very own "Immigrant Song," with guitars that chug menacingly and lyrics that run the gamut from fever dream meditations on redhead senoritas to pointed political statements ("Why don't you kick yourself out/You're an immigrant too"). "Little Cream Soda" is also outstanding, pairing ranting, spoken-word verses with grinding surf-metal guitars that make it one of the Stripes' heaviest songs. However, the boldest excursion might be "Conquest," which turns Patti Page's '50s-era battle of the sexes into a garage rock bullfight, complete with dramatic mariachi brass, flamenco rhythms, backing vocals that would do Ennio Morricone proud, and dueling guitar and trumpet solos that capture the band's love of drama.